|
|
Liner Notes from Patrick Mangan's debut album,
Farewell to Ireland,
by Martin Hayes
Traditional music is not just something that was once created to then be dutifully repeated. In order to be meaningful, it must strike a balance that allows for faithful representation of the past, while at the same time, accommodating the artist's need to be self-expressive and relevant. It is by the resolution of this apparent conflict that the body of music becomes richer and more diverse.
This debut recording by Patrick Mangan is testament to the resilience of the tradition in an urban landscape far removed from its original roots in rural Ireland. The legendary Sligo fiddler Michael Coleman made a huge impact on both sides of the Atlantic but it was in New York that he directly initiated a lineage of fiddle playing that has to date been carried through three generations of fiddlers. Andy McGann learned directly from Michael Coleman. He passed it on to Brian Conway, who in turn taught Patrick Mangan. Through the impact of Coleman, McGann, Conway and a host of other musicians and teachers such as Martin Mulvihill, we have the nucleus of an authentic regional style of traditional Irish music that could be described as East Coast/New York. To my ear, this is the style that underlies Patrick's playing and which is demonstrated on this recording with unquestionable technical mastery.
On this CD, with the help of many fine collaborators, he has subtly pushed the boundaries and encompassed a wide range of influences without compromising or moving away from the core of his tradition. The playing on this recording is expressive, mature and accomplished. It will without doubt establish Patrick as a musician with an authentic voice built on a solid core of tradition and powerful musical ability.
|
|  |
Patrick Mangan
|
FAREWELL TO IRELAND
Growing up in New York City, playing Irish music, I have been fortunate enough to meet some great musicians who have always been as gracious as they are talented. Farewell to Ireland has given me the opportunity to collaborate with several of these players on my debut release. Named after one of my favorite tunes, I feel that the album gives the listener a taste of what Irish music in America means to me. My hope is that the fun had by all the musicians who worked together on this project also comes across, capturing the essence of Irish music -- pure enjoyment.
Click here to purchase Farewell To Ireland online.- Patrick Mangan
|
Here is what the critics are saying about Farewell to Ireland:
"It gives ample evidence of the extraordinary talent and taste of Patrick Mangan, in offering a record that is mature, confident and full of the enthusiasm that one sees in his live playing. The title tune is a reel that not only brought him Fleadh glory but also reflects that significant role that New York has played in fostering traditional Irish Music. Patrick is the latest shining aspect of that historic dynamic."
--The Irish Voice, November 2003
"The breakout track on 'Farewell to Ireland' is "Jackson's No. 1/Strawberry Blossom/Tommy People's." Mangan transmutes these three reels into something special through a flawlessly proportioned mix of power, precision, and improvisational touches so instinctively tight and right that I had to hit "replay" to better grasp what he accomplished. I'm still shaking my head over the virtuosity Mangan exhibits on that track, which ends in a galvanizing duet with Baltimore uilleann piper Eliot Grasso."
--The Irish Echo, January 2004. Click here for full article.
"…Making his recording debut is two-time All Ireland fiddle champion and 'Riverdance' alumnus Patrick Mangan, a Brooklyn native who represents yet another talented young musician who grew up in New York City's flourishing Irish music community. 'Farewell to Ireland' is a collection of a dozen tune sets, featuring crisply ornamented reels and jigs along with a couple of slow airs. There's a nice variety of texture in the arrangements that compliments Mangan's fine, expressive playing, ranging from solo fiddle settings to five-instrument ensembles that include button accordion master John Whelan and flute/clarinet player Matt Darriau."
--Dirty Linen, February/March 2004

Robbie Harris
|
THE TUNES -- Real Player or RealOne required to listen to streaming music samples. To get a free player, click on the link below and click on the 'Free RealOne Player' link in the upper right hand section of the page.
- Doctor Gilbert's Fancy Concert Reel / The Flogging Reel / Dillon Brown's - reels
- The Ballykeel Jig / Dave Collins' / The Munster Jig - jigs
- The Greenland Man's Tune / Two Shetland Reels - strathspey / reels
- Amhran na Leabhar (Song of the Books) - slow air
- Jackson's #1 / The Strawberry Blossom / Tommy Peoples' - reels
- Spellan's Inspiration / The Banks - hornpipes
- Knock na Gow / Paddy Reynolds' Dream (Richard Dwyer) / The Smiling Bride (Charlie Lennon) - jigs
- Loftus Jones (Turlough O'Carolan)
- Farewell To Ireland / Trim The Velvet - reels
- Frieze Britches / Out On The Ocean - jigs
- Lord Gordon's / The White Leaf - reels
- Reel Angst (Matt Darriau) - slow reel
All material traditional except where noted.
|
Eamon O'Leary
|
THE MUSICIANS
Patrick Mangan - fiddle
with:
Greg Anderson - bouzouki, guitar, cittern, bass, keyboards
Brian Conway - fiddle
Matt Darriau - flute, low whistle, clarinet
Brendan Dolan - piano, whistle
Eliot Grasso - uilleann pipes
Robbie Harris - bodhrán, percussion
Eamon O'Leary - guitar, mandolin
Tom Wetmore - acoustic bass
John Whelan - button accordion
|
 | |
Chris Andersen
|
 | |
Greg Anderson
|
PRODUCTION
Recorded in the Summer & Fall of 2001 at Nevessa Production - Woodstock, NY
Engineered by Chris Andersen, assisted by Frank Moscowitz & Eric Tobin
Additional recording at:
Mark Dann Recording - New York, NY
Aunt Fannie's House - Buchanan, NY
The Darriau Ranch - Brooklyn, NY
Dolan Sound - Astoria, NY
Additional engineering by Mark Dann, Greg Anderson, Matt Darriau, Rich Lamb, and Brendan Dolan
Mixed at MDR by Greg Anderson and Patrick Mangan
Mastered at MDR by Mark Dann and Greg Anderson
PRODUCED BY GREG ANDERSON
|
t h i s s i t e i s d e s i g n e d b y j o h n l a w t e r .
|
|